Tari Gajah Barong Sebagai Upaya Pelestarian dan Eksistensi Cerita Masyarakat Lokal di Baregbeg, Kabupaten Ciamis

Ghea Andriyani Hervista

Abstract

Gajah Barong Dance is a traditional art from Baregbeg, Ciamis Regency, which contains elements of folklore, myth, and local culture. This study aims to examine the history, transformation process, and meaning of Gajah Barong Dance in the lives of local people. The method used in this research is a qualitative approach with a descriptive-interpretative approach, through observation, literature study and documentation, to gain an in-depth understanding of this dance. The results showed that Gajah Barong Dance not only functions as entertainment, but also as a means of preserving local cultural values and local community identity. Its transformation process from oral story to performing art reflects the dynamics of an evolving culture. The implications of this research emphasize the importance of preserving traditional arts as part of Indonesia's cultural diversity. Therefore, it is recommended that there be strategic efforts in supporting the sustainability of Gajah Barong Dance through education, documentation, and revitalization of performances in various media.

Keywords

Gajah Barong Dance; Baregbeg; art transformation; cultural preservation; folklore; traditional art; local culture; community identity

Full Text:

PDF

References

Buku

Babha, H. K. (1994). The Location of Culture. Routledge.

Barrett, E., & Bolt, B. (Eds.). (2014). Practice as research: Approaches to creative arts enquiry. Bloomsbury Publishing.

Bonvillain, N. (2019). Language, culture, and communication: The meaning of messages. Rowman & Littlefield.

Durkheim, E. (1912). The Elementary Forms of Religious Life. Allen & Unwin.

Elliott, R., & Timulak, L. (2005). Descriptive and interpretive approaches to qualitative research. A handbook of research methods for clinical and health psychology, 1(7), 147-159.

Elliott, R., & Timulak, L. (2021). Essentials of descriptive-interpretive qualitative research: a generic approach. American Psychological Association.

Geertz, C. (1973). The Interpretation of Cultures: Selected Essays. New York: Basic Books.

Gramsci, A. (1971). Selections from the Prison Notebooks. International Publishers.

Hall, E. T. (1976). Beyond Culture. New York: Anchor Books.

Koentjaraningrat. (2009). Kebudayaan, Mentalitas, dan Pembangunan. Jakarta: Gramedia Pustaka Utama.

Liliweri, A. (2021). Makna seni dan kesenian: Seri pengantar studi kebudayaan. Nusamedia.

Lévi-Strauss, C. (1963). Structural Anthropology. Basic Books.

Setiawati, R. (2008). Seni tari. Jakarta: Direktorat Jendral Manajemen Pendidikan Dasar Dan Menengah, Direktorat Pembinaan Sekolah Menengah Kejuruan, Departemen Pendidikan Nasional.

Jurnal

Appadurai, A. (1996). Modernity at Large: Cultural Dimensions of Globalization. University of Minnesota Press.

Apriani, N. D. P., Sondarika, W., & Sudarto, S. (2025). Nilai-Nilai Kearifan Lokal Kesenian Beluk di Kampung Adat Kuta Kecamatan Tambaksari Kabupaten Ciamis. Jurnal Artefak, 12(1), 159-174. http://dx.doi.org/10.25157/ja.v12i1.18112

Budiarsa, I. W. (2020). Penciptaan Karya Seni Tari Baris Gede Gentorag. Kalangwan: Jurnal Seni Pertunjukan, 6(2), 84-94. https://jurnal.isi-dps.ac.id/index.php/kalangwan/article/view/1224

Hendra, D. F. (2017). Estetika Sendratari Adok Di Kanagarian Paninggahan Kabupaten Solok Sumatera Barat. JPKS (Jurnal Pendidikan dan Kajian Seni), 2(1). http://dx.doi.org/10.30870/jpks.v2i1.2612

Hidayat, A. (2019). Peran Seni Tradisional dalam Pelestarian Nilai Sosial dan Sejarah Lokal. Jurnal Budaya Nusantara, 12(2), 45-58.

Hunt, M. R. (2009). Strengths and challenges in the use of interpretive description: reflections arising from a study of the moral experience of health professionals in humanitarian work. Qualitative health research, 19(9), 1284-1292. https://doi.org/10.1177/1049732309344612

Kiswanti, K., Aulia, S. N., Mefiani, S., & Kanzunnudin, M. (2024). Nilai Religius Pada Cerita Rakyat Seni Barongan Kudus. Sasindo: Jurnal Sastra Indonesia, Edisi Agustus. 13(2), 530-538. https://doi.org/10.24114/sasindo.v13i2.59174

Kusmayadi, Y., & Sudarto. (2024). Kesenian Mabokuy Sebagai Wujud Kesadaran Ecoliteracy Masayarakat Purwaraja Rajadesa. Jurnal Artefak, 11(1), 115–128. https://doi.org/10.25157/ja.v11i1.14135

Kusnita, S., Uli, I., & Yuniarti, N. (2021). Cerita rakyat melayu pesisir kalimantan barat sebagai alternatif bahan pembelajaran sastra di smp. Jurnal Pendidikan Bahasa, 10(2), 201-214. https://doi.org/10.31571/bahasa.v10i2.2471

Luthfiandana, R., Santioso, L. L., Febrian, W. D., Soehaditama, J. P., & Sani, I. (2024). Qualitative research concepts: Phenomenology, grounded theory, ethnography, case study, narrative. Siber Journal of Advanced Multidisciplinary, 2(1), 26-36. https://doi.org/10.38035/sjam.v2i1.91

Mastiah, M., & Albar, J. (2024). Pelestarian Cerita Rakyat Kabupaten Melawi dan Relevansinya dengan Pembelajaran Bahasa Indonesia di Sekolah Dasar. Jurnal Pendidikan Dasar, 12(1), 163-172. https://doi.org/10.46368/jpd.v12i1.2569

Putri, A., Fitria, I., Girl, M., Ikhsan, S., Lestari, Y., & Fitria, R. (2025). Tari Jaipong di Sanggar Tari Surya Medal Putera Wirahma Sebagai Warisan Budaya Dalam Bingkai Pancasila. Jurnal Pendidikan Non formal, 2(4), 12-12. https://doi.org/10.47134/jpn.v2i4.1535

Putra, J. Y., Adisel, A., & Yunarman, S. (2025). Peran Kesenian Tari Andun Dalam Membangun Jiwa Sosial Masyarakat Desa Suka Merindu Kabupaten Seluma. Jurnal Penelitian Ilmu Pendidikan Indonesia, 4(1), 293-299. https://doi.org/10.31004/jpion.v4i1.372

Rahman, F. (2021). Estetika Tari Gajah Barong di Kabupaten Ciamis. Jurnal Seni Pertunjukan, 8(1), 23-34.

Rizqi, I. A. (2024). Tari Ujung: Pelestarian Seni Tari Tradisional Desa Tarik Kabupaten Sidoarjo di Era Globalisasi. Konferensi Nasional Mahasiswa Sejarah Peradaban Islam, 1, 371-378.

Rohmadi, M., Sudaryanto, M., Susanto, D. A., Saddhono, K., & Saputra, A. D. (2023). Sociopragmatic study of Javanese oral discourse in big city communities as an effort to maintain indigenous language. Research Journal in Advanced Humanities, 4(4), 41-59. https://doi.org/10.58256/rjah.v4i4.1290

Saputra, R., Hasanah, N., Azis, M., Putra, M. A., & Armayadi, Y. (2024). Peran Seni Dalam Mempertahankan Identitas Budaya Lokal Di Era Modern. Besaung: Jurnal Seni Desain Dan Budaya, 9(2), 183-195. https://doi.org/10.36982/jsdb.v9i2.4044

Sari, D. P. (2018). Pelestarian Seni Tradisional sebagai Identitas Budaya. Jurnal Kebudayaan, 10(3), 67-75.

Schwadron, A. A. (1976). Music education and non-Western traditions. The World of Music, 18(3), 25–30. Retrieved May 9, 2025, from http://www.jstor.org/stable/43563551

Silalahi, D. F., Sidabutar, D. O., Arihta, J., Purba, M. R., Angita, N., Situmorang, R. R., & Puteri, A. (2025). Pemanfaatan Cerita Rakyat sebagai Materi Pembelajaran Bahasa Indonesia untuk Menumbuhkan Karakter Bangsa. Journal of Citizen Research and Development, 2(1), 424-428. DOI: 10.57235/jcrd.v2i1.4678

Sinaga, F. S. S., Winangsit, E., & Putra, A. D. (2021). Pendidikan, seni, dan budaya: Entitas lokal dalam peradaban manusia masa kini. Virtuoso: Jurnal Pengkajian Dan Penciptaan Musik, 4(2), 104-110. https://doi.org/10.26740/vt.v4n2.p104-110

Sudarto, S., Nurholis, E., & Brata, Y. R. (2024). Potensi Sintren Sebagai Sumber Nilai dan Spiritual Masyarakat Petani Patimuan. Jurnal Artefak, 11 (2), 229-244. http://dx.doi.org/10.25157/ja.v11i2.16437

Syam, S., & Fatimah, F. H. (2022). Eksistensi Tari Pajaga Welado Sebagai Warisan Budaya Pada Masyarakat Desa Welado Kabupaten Bone. Al-Din: Jurnal Dakwah dan Sosial Keagamaan, 8(1), 123-134. DOI : 10.30863/ajdsk.v8i1.3312

Utomo, S. S., Ande, A., & Saefudin, A. (2024). Preserving local cultural heritage in the era of globalisation: Reflections of the barkcloth tradition. International Research Journal of Multidisciplinary Scope, 5(03), 504-513. DOI: https://doi.org/10.47857/irjms.2024.v05i03.0992

Vaismoradi, M., Turunen, H., & Bondas, T. (2013). Content analysis and thematic analysis: Implications for conducting a qualitative descriptive study. Nursing & health sciences, 15(3), 398-405. https://doi.org/10.1111/nhs.12048

Wulandari, S. (2020). Globalisasi dan Tantangan Pelestarian Seni Tradisional. Jurnal Antropologi Budaya, 15(4), 89-102.

Sumber Lainnya

Endang. (2022). Kesenian Helaran Gajah Barong Baregbeg Ciamis, Mengandung Arti Filosofi. Diakses dari: https://kabarpriangan.pikiran-rakyat.com/kabar-priangan/pr-1489091275/kesenian-helaran-gajah-barong-baregbeg-ciamis-mengandung-arti-filosofi?page=all

Heniwaty, Y. (2015). Tari Saman Pada Masyarakat Aceh: Identitas dan Aktualisasi. Project Report. Lembaga Penelitian Unimed. https://digilib.unimed.ac.id/id/eprint/1478

Jailani, M. (2023). Nilai-Nilai Spiritual Dalam Seni Tari Zapin Api (Studi Penelitian di Desa Teluk Rhu Kecamatan Rupat Utara Kabupaten Bengkalis Riau). (Doctoral dissertation, Universitas Islam Negeri Sultan Syarif Kasim Riau).

Ni Made, R. (2010). Transformasi Seni Pertunjukan Bali Menjadi sebuah Industri Kreatif. ISI Denpasar, Denpasar, Bali.

Mening, G. (2019). Simbol Dan Makna Tari Punan Leto Dalam Upacara Mecaq Undat Di Desa Tukung Ritan Kutai Kartanegara (Doctoral dissertation, ISI Yogyakarta).

Refbacks

  • There are currently no refbacks.