Sinkretisme Nilai Islam dan Adat Lokal dalam Kesenian Gembyungan pada Tradisi Nyangku di Panjalu, Ciamis

Abstract

The Gembyungan performing art in the Nyangku tradition of Panjalu, Ciamis, reflects the interaction between Islamic values and local Sundanese culture that has been maintained across generations. This study aims to analyze the forms of syncretism between Islamic values and local customs in Gembyungan and its function as a medium of cultural harmonization in the dissemination of Islamic teachings. This study employed a descriptive qualitative approach, with data collected through observation, in-depth interviews, and documentation involving cultural figures, Gembyungan performers, and community representatives. Data were analyzed through data condensation, data presentation, and conclusion drawing and verification. The findings reveal four forms of syncretism: the integration of Islamic and local elements in musical instruments, the adaptation of Al-Barzanji verses to Sundanese vocal styles, the interpretation of heirloom purification as spiritual self-purification, and the religious interpretation of the ritual's timing. Gembyungan also functions as a medium for Islamic preaching, social solidarity, cultural-religious regeneration, and harmonization between Islam and local customs. The study shows that Gembyungan serves as a cultural medium that supports the continuity of local identity and Islamic values.